Golden lyre, rightful joint possession of Apollo and the violet-haired Muses, to which the dance-step listens, the beginning of splendid festivity; and singers obey your notes, whenever, with your quivering strings, you prepare to strike up chorus-leading preludes. You quench even the warlike thunderbolt of everlasting fire. (Pindar, Pythian, Poem 1)
The lyre is an instrument from Ancient Greece that comes to use from the word λύρα(lura) and means“a stringed instrument with a sounding-board formed of the shell of a tortoise”. The lyre is most often associated with Apollo or the Muses as deities of music but according to Greek mythology, it was created by Hermes when he was a child.
“…he found a tortoise there and gained endless delight. For it was Hermes who first made the tortoise a singer. The creature fell in his way at the courtyard gate, where it was feeding on the rich grass before the dwelling, waddling along. When be saw it, the luck-bringing son of Zeus laughed and said:
“An omen of great luck for me so soon! I do not slight it. Hail, comrade of the feast, lovely in shape, sounding at the dance! With joy I meet you! Where got you that rich gaud for covering, that spangled shell–a tortoise living in the mountains? But I will take and carry you within: you shall help me and I will do you no disgrace, though first of all you must profit me. It is better to be at home: harm may come out of doors. Living, you shall be a spell against mischievous witchcraft; but if you die, then you shall make sweetest song.”
Thus speaking, he took up the tortoise in both hands and went back into the house carrying his charming toy. Then he cut off its limbs and scooped out the marrow of the mountain-tortoise with a scoop of grey iron. As a swift thought darts through the heart of a man when thronging cares haunt him, or as bright glances flash from the eye, so glorious Hermes planned both thought and deed at once.
He cut stalks of reed to measure and fixed them, fastening their ends across the back and through the shell of the tortoise, and then stretched ox hide all over it by his skill. Also he put in the horns and fitted a cross-piece upon the two of them, and stretched seven strings of sheep-gut. But when he had made it he proved each string in turn with the key, as he held the lovely thing. At the touch of his hand it sounded marvellously; and, as he tried it, the god sang sweet random snatches, even as youths bandy taunts at festivals.” (Homeric Hymn 4 to Hermes (trans. Evelyn-White)
If you would like to see a modern reconstruction of an ancient lyre, you can have a look at Luthieros. This is a wonderful website all about the research and construction of these instruments.
Sir Lawrence Alma-Tadema was born in the Netherlands in 1936. Even though he was Dutch, he is more renowned for the work he produced with the Royal Academy in London. A contemporary of Lord Leighton and Godward, his realistic paintings often depict scenes from the Ancient Greco-Roman world. He was also famous for being one of the best painters of marble in the world. This earned him the nickname of the “Most Marbellous Painter!”. He is a favourite of mine, not only for his technique, but also because of his knowledge of the classical world. A very detailed bibliography of the artists can be found on the Art Renewal Center’s website – Bibliography of Sir Lawrence Alma-Tadema.
I am particularly fond of this painting of Sappho and Alcaeus. I think this is one of the only representations of her that shows her with her daughter, Cleis.
In this painting, Alma-Tadema depicts the morning after the arrival of the maenads. According to Plutarch, a group of ecstatic maenads, the female devotees of Dionysus, arrive in town and collapse from exhaustion. These maenads were from another town that was at war with Amphissa. When the women of Amphissa found the other women asleep scattered in the market-place, they worried that they men might molest them. They formed a circle around the maenads and held vigil through late night and morning until their guests woke and safely escorted them out of their territory.
If you happen to be in the UK, Leighton House will be holding an exhibition of Sir Alma-Tadema’s work.
When I lived in Fukui Prefecture I used to drive a lot and got into the habit of listening to a number of podcasts. Now I have less driving but more housework so they help me to get through all of that instead. Here are a few of my favorites. Enjoy.
Hosted by Dr. Rhiannon Evans and Matt Smith, this podcast on ancient Rome is, hands down, one of the best I have ever listened to. Dr. Evans is a font of knowledge and is always a pleasure to listen to. It’s also especially nice when they take little detours to other topics like Women Poets of Rome.
While I’m not exactly a rabid fan of Game of Thrones, I have read the books and I do enjoy chatting with my friends about various plot arcs and conspiracy theories. This podcast separates episodes into non-spoiler and spoiler so you can choose just how much you want to learn.
Something of an outlier compared to the rest of the podcasts I listen to, I enjoy this one for keeping abreast of current science news and also keeping myself educated in various scientific fields. I also like astronomy… a lot. And quarks. All the quarks. Especially quantum quarks…
Every year my city holds an iris festival up near Lake Kitagata. There are over 150 different varieties on display in the iris garden, many of them for sale to casual gardeners and visitors alike. This year I decided that I’d try and grab a few photos to use at references at some point or another. Enjoy.
P.S. These are not public domain but if you want to use some for a painting just drop me a note and ask. I don’t bite.
I was going to write this response to Julia Harrison’s post on her art inspirations in the comments but I realized that it was going to be way too long. So I decided to make a post of my own exploring my influences and inspirations.